New York critics weren’t wild about the 2008 stage incarnation of “Shrek the Musical.” But, outside of “The Lion King,” theater critics have pretty much walled off their hearts to popular film cartoons being made into high-priced, Great White Way entertainment. Then again, it’s a tricky business to turn the intricately animated into singing and dancing flesh-and-blood.
Little Rock filmmakers The Renaud Brothers — Brent and Craig — cut their teeth making insightful, powerful documentary in some of the world's most dangerous places, including Iraq and earthquake-ravaged Haiti.
The Peabody RiverTop Parties continue into the fall with the city's biggest Halloween celebration. Local DJ Brandon Peck is spinning and Epiphany is emceeing at the voodoo-themed extravaganza. Plus, $5,000 in cash and prizes are being given away for the best costumes
Mud, you know, has positive therapeutic and dermatological properties; people pay a lot of money to dip themselves in it at fancy spas when Neutrogena won't do the trick. Some of my earliest experiences with mud probably came on an elementary school playground and involved proto-scatological pranks. Most recently, I slipped on it in the rain. The Mud Run is a convenient combination of all these qualities: restorative, regressive and downright mucky.
The players include most of Amasa Hines (and formerly The Natives and Romany Rye): Whitman Bransford (keys), Ryan Hitt (bass), Judson Spillyards (guitar) and Joshua Spillyards (drums). Plus Arkansas guitar god Greg Spradlin and Velvet Kente's polyrhythmic drummer Jamal.
But for the fact that he died in 2003, two years after the first Shrek movie kicked off the franchise, New Yorker Cartoonist William Steig would today be rolling around in royalties today. He is, after all, the original creator of the green ogre who has appeared in four movies, various fast food and theme park tie-ins, and now a Broadway musical based on the earliest Shrek film.
Glass artist Ed Pennebaker's 13-foot-tall sculpture of tall, multicolored glass panels was chosen for temporary installation in the Carrie Remmel Dickinson Fountain in front of the Arkansas Arts Center.