Mosaic Templars Cultural Center Director H.L. McGill, whose firing and rehiring I reported on last year, has been terminated a second time. Assistant director Quantia Fletcher will head the staff while the state Department of Arkansas Heritage searches for a successor.

McGill has not returned a call, but I'll have more on this later, when I get a chance to look at files the former director has made open.

The Mosaic Templars museum, with its exhibits on black entrepreneurs and the history of Ninth Street, is a gem in need of experienced leadership that will grow its collections and public awareness.

UPDATE: On March 9, DAH Deputy Director Martha Miller cited several problems in a disciplinary notification issued McGill, including allegations that he ignored her request to see a draft of the museum's IMLS (Institute of Museum and Library Services) grant for 2012 (the 2011 grant was also an issue in McGill's first firing last March), committed to various expenditures without prior approval, did not get with Miller to coordinate schedules in setting a meeting, failed to answer e-mail on a number of issues, failed to "plan for the future," citing a "last-minute rush to spend down the NCRC (Natural and Cultural Resources Council) 2011 grant," a "questionable understanding" of NCRC status and other communication breakdowns, including a situation in which his assistant put in a request to draw down $300,000 in funds in error.

McGill declined to sign the notification, and, according to Miller, said "he thought this was a matter that needed to be discussed with Lamar Davis of Gov. Mike Beebe's staff." Davis is Beebe's deputy chief of staff.

On March 16, Miller put a note in McGill's file saying she was also concerned about a request from McGill's assistant to draw down $73,000 for expenditures not approved.

On March 21, McGill responded to Miller in writing, saying he'd let her know where she could find the IMLS draft referred to in the March 9 disciplinary notice, had never been required to get prior approval for purchases, that his business specialist had taken care of items and declined being tardy in his response to DAH administrators.

Miller terminated McGill Monday for his "failure to respond to the concerns" raised in the disciplinary notice.

• Feaster

Laverne Feaster, who worked with the University of Arkansas Cooperative Extension Service for 39 years, will talk about her childhood at Big Dixie plantation at noon Wednesday, Feb. 8, at the Old State House Museum, as a part of its Brown Bag Series.

Feaster attended the private Arkadelphia Cotton Plant Presbyterian Academy in Cotton Plant so she could advance beyond the 8th grade, the extent of education in the segregated public school system in which her mother taught. She earned a BS degree from Tennessee State University in Nashville and a MED degree from the University of Arkansas at Fayetteville. She was also appointed by Governors Clinton and Tucker to the Commission for Arkansas’ Future and the Keep Arkansas Beautiful Commission.

Admission is free. Participants are encouraged to bring a sack lunch; beverages are provided.

• Sculpture by Burneta Venosdel

Tin Grizzly Western art and furniture store at 516 Central Ave. in Hot Springs will hold its first anniversary celebration tomorrow at the Museum of Contemporary Art, in the old Ozark Bathhouse.

Bronze sculptor Burneta Venosdel will unveil a new work, inspired by Kiowa chief Satanta, at the event, from 7 to 9 p.m. Valerie Hanks will demonstrate pine needle basketmaking, Robbie Robinson will demonstrate silver wire wrapping jewelry and Ron Russell will demonstrate painting on wild turkey feathers.

Supporters of the Museum of Discovery are gathering at the Clinton Presidential Library starting at 6 p.m. to tipple wine and bid in a silent auction. Tickets are $100; tickets for a raffle to win a $1,000 gift certificate to Kenneth Edwards Fine Jewelers are extra. Go here to purchase tickets.

The MOD is being renovated and will open in Jan. 2012.

Erma Glasco Davis, the chair of the Friends of Mosaic Templars Cultural Center, writes to say that no one with the friends met with the governor. The Friends, a 501 c(3) stayed neutral on H.L. McGill's employment.

One argument for firing H.L. McGill as the director of the Mosaic Templars Cultural Center was that he missed a Chamber of Commerce meeting that he was supposed to attend. In response to an earlier post on this blog, in which that allegation, made by McGill's supervisor, was mentioned, McGill called to suggest that I call the chamber employee who set up the meeting, Judy Knod. I did. He was at the meeting.

I don't know what nuances there might be here. In fact, I'm not sure the full picture of why McGill was terminated in the first place will ever be filled in. He says profanities were slung his way, that he couldn't file the IMLS on time because the person who created the online file at grant.gov had set the file up incorrectly. He said he came in for unfair criticism over the timing of an earlier $1 million proposal for an Arkansas Natural and Cultural Resources Council grant; the museum was awarded $700,000 from the NCRC this week, he said.

He also said he was never able to give the speech mentioned in the post — in which he wrote that a white director would never have been treated the way he was — to the Black Legislative Caucus referred to in the previous post because they weren't able to give him the time during the session.

He also said he hesitated to call me to provide his side of the story, since it will keep the story alive. "I just want to go back to work," he said. He will, on Monday.

• H.L. McGill

In what might be a first in state government, a museum director who was fired has gotten his job back thanks to the intervention of the governor’s office.

H.L. McGill was fired as director of the Mosaic Templars Cultural Center in March after, according to his personnel file, the museum missed a grant deadline and he missed a meeting at which he was to speak, among other things. He will be back on the job Monday, June 6.

The Black Legislative Caucus, the Mosaic Templars Cultural Center Advisory Board and the Friends of the MTCC, and community activists went to the governor after the firing.

Matt deCample, spokesman for Gov. Mike Beebe, said, “The governor is generally reluctant to get involved in any agency personnel matters. In this case, we had a number of other parties reach out to us who were affiliated with the Cultural Center.” After meetings with McGill’s advocates and his supervisors at the Department of Arkansas Heritage, which operates the museum, the governor felt “Mr. McGill’s termination may have been hasty and an additional review and opportunity for him to carry out his duties would be the most prudent course.”

The $11.4 million Mosaic Templars Cultural Center, which has exhibits on African Americans in Arkansas, including the Ninth Street business district, the fraternal organization that was created there, and a collection of art made by black Arkansans, opened in 2008. It has had two directors since its opening; Constance Sarto, who left in March 2010, and McGill, who was hired in December 2010. Curator Heather Zbinden acted as director in the interim.

There have been many reports of friction between Zbinden, who has left the museum for another state job, and McGill. Zbinden is white; McGill is black, and in a speech prepared for the black caucus he wrote that “shocking things” happened at the museum “and would never have happened to a white director.”

When people say things aren’t about race, they usually are. But Deputy Director of Museums Trey Berry and DAH director Cathie Matthews says that is not the case. Matthews said she has “no concerns” about race-related issues at the museum. There is now only one white person on staff.

In “desk notes” by Berry in McGill’s personnel file, Berry writes that he informed McGill that his No. 1 goal was to complete the Institute of Museum and Library Services grant, one that the previous director had failed to submit, demoralizing the staff. In later notes, Berry said he was concerned that McGill didn’t answer e-mails and over McGill’s response that it wasn’t his work style to check his e-mail all day. After McGill’s dismissal, Berry found 252 unopened e-mails from MTCC and DAH staff on McGill’s computer.

In January, after the museum missed the deadline to file the IMLS grant, Berry put McGill on a two-year “disciplinary action.”

McGill, interviewed Wednesday, after his reinstatement was decided, said Berry’s desk notes were falsehoods and that it was Zbinden’s failure, not his, that the grant deadline was missed. He said she refused to get in touch with partners the Friday before the deadline, but an e-mail from Zbinden to McGill says that the partners were for an old grant, would not fit with the new grant proposal, and that she didn’t have any partnership ideas for the new grant.

Berry, who will be McGill’s supervisor until August, when he leaves to become the dean of liberal arts at Southern Arkansas University, has set goals for McGill to meet over the next few months. Among them are that the director meet with the staff the second week in June and hear their concerns, conduct a search for an assistant director and a finance director, and set the museum’s rental policies and fees at a price the public can afford, but that will cover wear and tear on the museum. “I’m all for second chances,” Berry told a reporter Wednesday.

Museum Advisory Board head John Cain, who worked for two decades to create a museum in the Mosaic Templars building (the original burned down in 2006; the museum is a near-replica of that building), said he wrote the governor asking him to rescind the firing. He noted that the Department of Arkansas Heritage had asked McGill, who worked for the Arkansas Arts Council since 2002, to apply for the job, adding that the director’s job description was “nebulous.”

Because of protests by archeologists and anthropologists, The Smithsonian Institution is considering canceling its upcoming exhibit “Shipwrecked: Tang Treasures and Monsoon Winds,” Chinese artifacts recovered from an Arab ship sunk in the ninth century.

Why Smithsonian's Freer and Sackler museum directors thought for one minute that it was ethical to exhibit artifacts — rare and lovely though they may be — that were salvaged without regard to science is a mystery to me. An article in the New York Times notes that the salvage company that mined the goodies from the bottom of the sea was paid $32 million for the artifacts by the Singapore government. The excavators' goal was not to study this historic find, which is evidence of Chinese sea trade with the Middle East, but to make some big bucks.

Same reason Arkansas museums shouldn't exhibit Indian artifacts dug up without regard to the information they hold in situ. Archeologists learn from artifacts by examining their context, recording them in situ. If you're digging up an artifact and walking away, what you've got is art, yes; a money-maker, maybe; but museums should shun you for what you've cost history.

Slideshow

"Reel to Real"

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On the 150th anniversary of the explosion of the Sultana, the steamboat that was carrying freed Union soldiers home on the Mississippi River (1,800 died) in 1865, the Historic Arkansas Museum will screen a documentary about the making of "Gone With the Wind." If you have already have a ticket, you can go to the sold-out film, at 6 p.m. tonight at Argenta Community Theater and hear GWTW collector James Tumblin and documentarians Craig and Brent Renaud talk about it afterward. The event is a run-up to the Sunday opening of HAM's exhibit, "Reel to Real: 'Gone with the Wind' and the Civil War in Arkansas," in which the celluloid South, in the form of priceless movie artifacts, will meet the truth of life in antebellum Arkansas head-on, as I write in this week's Art Notes column.

Vivien Leigh's Best Actress Oscar — worth more than $2 million — and costumes from the classic 1939 film, including a suit Clark Gable wore as Rhett Butler, are among the 123 objects from the Shaw-Tumblin Gone with the Wind Collection that will make up the "Reel" part of the exhibit, HAM's contribution to events marking the 150th anniversary of the Civil War. There will be a projection room as well, featuring screen tests of, among others, Leigh, Butterfly McQueen and the unsuccessful Lana Turner, who lost the role of Scarlett O'Hara to Leigh.

Representing the "Real" are treasures from the HAM's own vaults: Women's diaries that record the events of the war, letters from soldiers, photographs, weapons, and a Confederate uniform are among the 142 museum objects on display. The South of "Gone with the Wind" was a far cry, the exhibition will show, from pre-Civil War Arkansas, a poor state lacking roads and dependable river transport. But growing cotton wealth and the number of enslaved workers, which numbered 110,000 in 1860, pushed Arkansas into secession on May 5, 1861, nearly 150 years ago to the day of the exhibit's opening.

James Tumblin, owner of the collection, will be in Little Rock for the sold-out screening Wednesday night of the documentary "Making of a Legend: Gone with the Wind" at the Argenta Community Theater. He and filmmakers Brent and Craig Renaud will hold a question and answer session after the event. Tumblin started the collection in 1961 when he picked a costume up off the floor at Western Costumes in Hollywood and offered $20 for it. A card that fell out of the dress indicated it had been created for "Gone with the Wind." Fifty years later, Tumblin has more then 300,000 GWTW artifacts, which he assembled with the help of Dennis Shaw. (He said the collection is not named Tumblin-Shaw because it sounded like someone falling down.)

"Reel to Real" will stay at the museum until the end of April 2012.

• H.L. McGill

The Arkansas Arts Council has posted on its Facebook account a farewell to H.L. McGill, who is leaving the council to become the new director of the Mosaic Templars Cultural Center. McGill has been community development program manager at the council since 2002, the post says. I expect the Mosaic Templars, which has exhibits on black entrepreneurs and life in Little Rock, including a great look at the historic Ninth Street business district, will put a news release out soon.

The National Mississippi River Museum and Aquarium in Dubuque, Iowa, opens a $40 million expansion tomorrow. It's major exhibit: An empty tank of water originally intended to exhibit the aquatic life of the Gulf of Mexico.

The decision, to present a devastating image of emptiness rather than the planned exhibit on the gulf's riches, was a gutsy one. From a statement on the museum's website:

The Gulf Coast oil spill is the worst environmental disaster of its kind in our nation’s history. The Museum & Aquarium believes that the most appropriate course is to open a Gulf exhibit recognizing the crisis that is happening on the Gulf Coast. The Museum & Aquarium and its national partners believe this should cause everyone to pause and consider the delicate balance of life in our oceans. The Gulf is just as important as the life it holds, and the Museum & Aquarium is choosing to offer its visitors the opportunity to learn and reflect upon this significant and tragic event. A dramatic depiction of the effects of the oil spill will be presented in the aquarium gallery next to the lifeless aquariums. Educational materials, hands-on activities, multi-media exhibits and information about how to get involved will be presented.
With the exhibit opening approaching and the Gulf now in crisis, the Museum & Aquarium faced a dilemma. The board and staff have decided that opening a Gulf of Mexico exhibit at this time requires a compassionate and factual representation of the Gulf crisis.
The intent of the Gulf of Mexico exhibit is to draw a connection between the Mississippi River and the ocean and to bring to light the devastating effects of the oil spill. The exhibit, without fish, now has the opportunity to make a bold statement related to the oil spill in the Gulf Coast by asking Museum & Aquarium visitors to imagine a lifeless Gulf.