GREEN JELLŸ
8 p.m. Juanita's. $5.
Back in 1987, Reagan was snoozing his way through the Iran-Contra hearings, S&Ls were failing faster than you could say "repossessed Lamborghini" and a punk band called Green Jello appeared on the Gong Show. It was clear that the band was brought on as one of the sacrificial lambs guaranteed to be ridiculed and gonged off the show in a matter of moments.
But little did then-host Don Bleu realize that the band he was smugly escorting offstage would soon go on to conquer the world of pop music, to record albums of timeless beauty and sophistication and create a catalog of masterworks rivaled only by that of the Beatles.
Just kidding. Green Jellÿ (as the band was renamed after a threat of copyright litigation from the fine folks at Kraft Foods) was a heavy metal novelty act along the lines of Gwar, right down to the giant foam rubber costumes, scatological humor and ridiculous characters (e.g. Satan's Ham, Cowgod and Shitman — a walking pile of corn kernel-riddled feces, naturally). The band had one of those increasingly rare fluky radio hits with 1993's "Three Little Pigs," memorable for its Claymation video and falsetto chorus "Not by the hair of my chinny-chin-chin."
So what's the band up to in 2011? Here's one way to find out.
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‘My Fair Lady’
July 22, Weekend Theater
“My Fair Lady” is an old-fashioned Broadway musical that, by all rights, must be a devilish work to stage. It has accents! It has costumes! It has complicated set changes (from a horse track to a fancy ball to a book-filled flat)!
The fact that The Weekend Theater, the seemingly indefatigable troupe of volunteers, is putting “My Fair Lady” on stage — and in July no less — is a testament to how deeply the group loves theater. There are probably few theaters in country — professional or otherwise — who do what this company does, both in the diversity of works selected and number of shows done in a year. It is easy to take The Weekend Theater for granted.
What The Weekend Theater’s “My Fair Lady” lacks in professional polish, it makes up for in energy. The production, directed by Allison Pace, is blessed with a striking performance of Eliza Doolittle by Memory Apata, a junior at UALR. But it would seem that the true star here can be found off stage, in the person of musical director Lori Isner, who seems to pull out wonderful vocal performances from practically the entire cast. This being The Weekend Theater, the orchestra consists of a piano and a few other instruments, but you won’t leave this production feeling you’ve been cheated out of Alan Jay Lerner and Frederick Loewe’s melodically rich score.
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THE BLACK AND WHITE YEARS
9 p.m. Stickyz. $5.
To be honest, this whole early '80s/post-punk revival what-have-you has persisted a hell of a lot longer than yours truly would have thought possible back in the early- to mid-aughts, when he was aggressively ignoring Radio 4, The Rapture, Franz Ferdinand and their ilk.
The Black and White Years hails out of Austin, and initially the band was compared to The Talking Heads. But that seems likely a result of former Head Jerry Harrison producing the band's debut, self-titled album. That set was full of jerky guitars and even jerkier rhythms, coming off like a less whimsical XTC or a less dramatic Echo & the Bunnymen or a less funky Gang of Four.
The band's new stuff is a move in a poppier direction, mining the New Romantic sounds of Ultravox and Duran Duran, with all of the icy synths, electronic beats and histrionic vocals that define the genre.
Booyah! Dad opens.
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All right, comic book and card collectors, here's some red meat for you: River City Comic & Card Expo is going to wipe out all your discretionary dollars for the month.
As you can probably see from the flier, the shindig takes place Saturday from 10 a.m. until 4 p.m. at Sherwood Forest, 1111 W. Maryland in scenic Sherwood, and admission will only set you back three bones.
Look for tons of comics from all eras, graphic novels, movies, trade paperbacks, toys, games (board, console and video) and plenty of costumed geekery.
Guests include Mitch and Elizabeth Breitweiser, artists for several Marvel Comics titles, Charles Martin of Literati Press and Adam Smith and Matt Fox of Wet Black Ghost publishing. (You might also remember Fox from the Arkansas Times covers he's illustrated.
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ARKANSAS TRAVELERS, TYRANNOSAURUS CHICKEN
7:30 p.m. Dickey-Stephens Park. $6-$12.
Now this right here is what you call a recipe for the perfect summertime evening: baseball, beer, salty snacks, live music. Combine all four in liberal helpings and enjoy.
Hell, you don't even necessarily have to love baseball to have a good time at a Travs game. At $6 to get in, and with inexpensive beer and food, it's one of the best cheap dates in town. After the Travs get done whuppin' up on the Tulsa Drillers, Arkansas Times Musicians Showcase winner Tyrannosaurus Chicken will be playing a set of shambling, psychedelic blues at the Hookslide Corner Beer Garden.
Sounds like this is a surefire bet for a memorable summer night.
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While the Conway Community Arts Association has been producing theatrical performances since the early '70s, the group has not had a permanent venue to call its own until now. A former storefront space at 1021 Van Ronkle is now home to The Lantern Theatre, a black box venue that seats about 75.
For its debut performance in the new space, CCAA is producing "Same Time, Next Year," a romantic comedy about an adulterous couple who meet up at a cottage in northern California for an annual tryst. The play — which portrays the two over the years of their relationship — opened in 1975, starring Ellen Burstyn and Charles Grodin. A 1978 film version starred Burstyn and Alan Alda.
The production runs through Aug. 7, with 7:30 shows on Friday and Saturday and Sunday matinees at 2:30. Reservations are strongly encouraged.
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SWAY'S FIRST ANNIVERSARY
5 p.m. Sway. $5.
Across Central Arkansas there are approximately 547 million sports bars — loud, smoky places where you can watch the game, devour a giant stack of hot wings and quaff cheap domestic beer gallon by watery gallon. But there aren't nearly as many clubs that cater to the discerning urban sophisticate.
Along with a handful of other newer venues, Sway has helped to fill a niche, offering a club atmosphere that's considerably more refined than most other bars in the region. Think dress codes, high-end mixed drinks and DJs playing modern R&B, electronic and dance music.
To celebrate its first year, Sway hosts a party with live music from Jason Greenlaw, Buddafli and Shea Marie, specialty cocktails, floral arrangements and a dressed-up atmosphere. Business casual attire is required.
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JESSICA LEA MAYFIELD
9 p.m. Juanita's. $10.
Jessica Lea Mayfield is one of those wise-beyond-her-years singer/songwriters who might cause nonbelievers to reconsider reincarnation.
Ruling out the influence of past lives, Mayfield must have either had a string of painful breakups by the tender age of 21, or else she has a powerful imagination and the ability to synthesize real, grownup heartache to a degree so convincing that it doesn't matter whether it really happened.
A native of Kent, Ohio, Mayfield kicked off her recording career with a homemade EP that fell into the lap of Dan Auerbach of The Black Keys. Auerbach helmed both of her full-lengths, enveloping her songs in a sparse yet rich production, particularly her most recent album, "Tell Me," a set dominated by ruminations on relationships that border on the morose.
On lead single "Our Hearts Are Wrong," Mayfield feigns aloof circumspection, but reveals her underlying vulnerability over simple acoustic guitar strumming and a gently thudding Casio beat. She's got a smoky, restrained voice and an appealing Midwestern twang (yeah, Ohio folks can have an honest-to-God drawl; have you ever heard Robert Pollard talk?) Her music is a sort of gothic country-pop that, while not exactly bleak, is pretty dark.
Ferraby Lionheart opens the show.
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Full of Hell plays dark, heavy hardcore in the vein of '90s acts like Rorschach, Initial State and His Hero is Gone. Fellow travelers Jungle Juice, Motives, Mailbomber and Rotting Out are also playing the show at Downtown Music Hall, 7 p.m., $7.
Tales of the South this week features "Jobs We Love to Hate," with Tim Bennett, Spencer Campbell and Mike Rush, along with music from Runaway Planet and Mark Simpson, at Starving Artist Cafe. Dinner starts at 5 p.m. and admission is $5. Reservations are recommended so call 501-372-7976.
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The meeting will start at 7:30 p.m. at Vino's Brewpub, 923 W. 7th Street in Little Rock. Little Rock 48HFP producer Levi Agee will talk about the rules of engagement, and will provide a rundown of how filming and the submission of completed entries will go. The meeting will also serve as a meet-and-greet for those seeking a team to join.
This year, all the creative aspects of filming — from writing to shooting to final editing — will take place between 7 p.m. Friday, Aug. 19 and the drop-dead deadline of 7:30 p.m. Sunday, Aug. 21. The kickoff and final hand-in will be at the Argenta Community Theater, 405 Main Street in North Little Rock, with the screenings there on Aug. 27, 28 and 29.
Thirteen teams are currently signed up. Teams who register before Aug. 1 pay an entry fee of $140. The registration fee after that is $160. For more info on entering and rules, visit the Little Rock 48 Hour Film Project website.
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If you have an unquenchable thirst for nu metal and managed not to sustain any serious moshing injuries at the Sevendust show, then by all means, don't miss Alien Ant Farm.
The Riverside, Calif., band was part of that unrelenting late '90s tide of groups that combined rapping and metal with wearing Adidas gear and having dreadlocks and making a lot of hand gestures and jumping around and feigning some manner of angst-y sensitivity while generally acting like an agro jock.
Alien Ant Farm is probably most often remembered for its worldwide smash-hit cover of Michael Jackson's "Smooth Criminal," which historians will surely someday acknowledge as one of the most disastrous moments of the early '00s. It wasn't as bad as Sept. 11 or anything, but still.
MeTalkPretty (not a typo, the words are supposed to be run together like that; we've apparently run out of acceptable things to name a band) opens the show.
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BREAKFAST, BOOKS & BOOZE
Noon. White Water Tavern. Free or $5 after 7 p.m.
On certain rare, blessed occasions, a really wicked hangover is something to be savored. That's not to say it's a condition that feels good, or at least not "good" in the traditional sense of the word. But every once in a while, a rough morning after can leave you with a feeling of damaged grace. The awfulness you committed against your liver and central nervous system causes you to slow down, to be a bit more careful and deliberate, introspective even.
What better setting for such a morning than to be surrounded with books, quiet acoustic music, brunch foods and perhaps a Bloody Mary or two to take the edge off things? Now, you don't have to be hungover to come enjoy the sounds of Adam Faucett, Mandy McBryde, Kevin Kerby, No Hickeys and Correne Spero while browsing a wide array of underground literature and books from Mary Chamberlin's Tree of Knowledge distribution and swapping LPs and 45s with DJ and man-with-a-million-records Seth Baldy. But it might augment the occasion. You never know. All this and more at White Water Tavern.
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Florida's Poptart Monkeys don't go in for subtlety or nuance. The band plays hybrid pop-punk party music, kind of like the lovechild of Sublime and Blink 182 on day five of an MTV Spring Break bender.
Check out the band's song "Choke Yourself," which, to be clear, is in no way an endorsement of auto-erotic asphyxiation: "Worried about your brain / just save your mental health / tonight my hands won't work / you'll have to choke yourself."
The band's central message: Why don't you just chill out, brah? So check your brain at the door, have a good time and knock back a drink or three while taking in the splendor of the Arkansas River and enjoying one of the city's biggest, most diverse party scenes.
Epiphany emcees the good times at the final Peabody Rivertop Party of 2011, so don't miss out.
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It's hard to imagine now, but back in the '50s, when Alan Jay Lerner and Frederick Loewe sat down at the piano to create a musical based on George Bernard Shaw's play "Pygmalion," their task was seen by many to be an impossible goal.
That opinion was shared by no less than Rodgers and Hammerstein, who'd already attempted it and given up. But Lerner and Loewe managed to find the music in a play that didn't fill the traditional requirements for a musical, writing timeless numbers such as "I Could Have Danced All Night" and "Wouldn't It Be Loverly." They had an enormous hit in 1956 with "My Fair Lady," helping make Julie Andrews a star along the way.
The Weekend Theater's production of the musical runs through Aug. 13, with 7:30 p.m. shows on Fridays and Saturdays and 2:30 matinees on Sundays.
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THOSE DARLINS
9 p.m. Stickyz. $8 adv., $10 d.o.s.
The latest album by Those Darlins finds these Tennessee gals and guy having abandoned their clogging and Carter Family covers in favor of a Runaways-vs.-the-Ronettes-in-a-switchblade-fight sorta vibe.
Nowhere is this more evident than on opener "Screws Get Loose," also the title of their latest album. "Mystic Mind" offers some mildly foreboding garage psych in the vein of The 13th Floor Elevators' more restrained moments, and "Be Your Bro" is an instantly catchy anti come-on with perfectly snarling lead vocals from Jessi Darlin.
This change of course didn't come completely out of left field (see "Red Light Love" from 2009's self-titled album), but Those Darlins is a pretty different outfit here in 2011. In recent years, there's been no shortage of bands mining the sounds of girl groups and early rock 'n' roll — Dum Dum Girls, Vivian Girls, Best Coast. Those Darlins' version of wall-of-sound retro rock is more straightforward than say, the warped lunacy of Thee Oh Sees, but that's not to diminish it.
The band's expanded palate is a good thing, and the album is ear candy in the best sense of the term. Correne Spero, Quin & Dodson and Vanhoose open the show.
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