CVLT Nation wrote of the album that "in this age, where everything is pre-fab and artificial, Pallbearer have created an album that is a vehicle to a different mindstate."
The Metal Observer gave the album a perfect score. The reviewer described the opening track, "Foreigner," as "such an emotionally engaging piece of music as to be absolutely gripping, yet, while it is certainly a bleak piece of music, it is not so depressing as to be desolate and oppressive but the kind of melancholy that is life affirming in the way it seems to reach inside your very being and tweak every existential nerve that you’ve been unconsciously managing to fight down, until something as affecting as “Foreigner” comes along and drowns you in it — and while it is certainly impossible to feel cheerful while listening to the album, it is a welcome release, and one will find themselves willingly allowing these dark waters to wash over them."
Pitchfork gave "Sorrow and Extinction" the coveted "Best New Music" designation. "Ultimately, it feels like Pallbearer have created their own version of a traditional jazz funeral march, or like they went ahead and invented some sort of 'celebratory doom,'" wrote Brandon Stosuy. "Whatever you want to call it, the record's a triumph.'
Teeth of the Devine's E. Thomas called the album "one of the most moving and brilliant traditional doom records of this generation."
Here's the great new video from Little Rock doom metal troupe Pallbearer, a 10 minute long plot-less short film backed by their epic "Watcher in the Dark" directed by Little Rock native Adam Heathcott (now based in Portland). It's a kind of solemn, desert-oracle kaleidoscope, with shades of Jodorowsky and "Zabriskie Point" that finally descend into pure foggy visual abstraction /more/
Here are the Little Rock albums we listened to more than any others this year, the ones that meant the most to us and that we’d push on any out-of-towners who asked what was new in the Little Rock music scene. /more/
Olympia, Washington record lable 20 Buck Spin has announced the vinyl-only release of Pallbearer's "Demos," previously only available on limited edition CD-R and cassette, on December 9. The demos date back to 2010, before the Little Rock doom metal group's now-classic debut, "Sorrow and Extinction." /more/
Little Rock's Pallbearer, "doom's next big thing" according to Decibel magazine, who featured them on the cover of their latest issue looking real intimidating and wielding a gas lantern, has a new record on the way, the follow-up to their ecstatically well-reviewed 2012 release "Sorrow and Extinction." /more/
Here's the first single, "The Ghost I Used To Be," from Pallbearer's forthcoming album, "Foundations Of Burden," recorded in Portland with producer Billy Anderson (Swans, Eyehategod, Sleep, Neurosis, Red House Painters) and due out August 19 via Profound Lore. /more/
The podcast Design Matters, published by Design Observer, is celebrating its 10th year and they are revisiting some of their best episodes from the last decade. I just finished this week's replay of the interview with the Scottish born illustrator Marion Deuchars. At the end of the wonderful interview, her two young sons are invited into the studio near where they pitch in some of their own thoughts on art and, in particular, drawing in the art books their mother created for children and adults.
by Will Stephenson, Bryan Moats, Kaya Herron and Lindsey Millar
World wide weird duo Rural War Room (Donavan Suitt & Byron Werner) is celebrating 10 years of broadcasting and production here in Little Rock and abroad. RWR Radio on KABF 88.3 FM (10 p.m. Tuesdays or anytime on their website), features the duo alternating records in an effort to surprise one another.
BRASHER: Hello Arkansans, this is the first piece from us, Brasher and Rowe and we are some dudes who work in downtown Little Rock and we eat lunch and just talk about all the exciting things around here.
The plan, formulated months ago, was this: Ellen and I were going to go to Washington for inauguration festivities, then fly out the morning after the balls for Panama City and a long planned cruise to begin with a Panama Canal passage.
Not since the John Birch Society's "Impeach Earl Warren" billboards littered Southern roadsides after the Supreme Court's school-integration decision in 1954 has the American judicial system been under such siege, but who would have thought the trifling Arkansas legislature would lead the charge?
The Senate this morning added an amendment to Rep. Charlie Collins campus carry bill that incorporates the effort denied in committee yesterday to require a 16-hour additional training period before university staff members with concealed carry permits may take the weapons on campus.