CVLT Nation wrote of the album that "in this age, where everything is pre-fab and artificial, Pallbearer have created an album that is a vehicle to a different mindstate."
The Metal Observer gave the album a perfect score. The reviewer described the opening track, "Foreigner," as "such an emotionally engaging piece of music as to be absolutely gripping, yet, while it is certainly a bleak piece of music, it is not so depressing as to be desolate and oppressive but the kind of melancholy that is life affirming in the way it seems to reach inside your very being and tweak every existential nerve that you’ve been unconsciously managing to fight down, until something as affecting as “Foreigner” comes along and drowns you in it — and while it is certainly impossible to feel cheerful while listening to the album, it is a welcome release, and one will find themselves willingly allowing these dark waters to wash over them."
Pitchfork gave "Sorrow and Extinction" the coveted "Best New Music" designation. "Ultimately, it feels like Pallbearer have created their own version of a traditional jazz funeral march, or like they went ahead and invented some sort of 'celebratory doom,'" wrote Brandon Stosuy. "Whatever you want to call it, the record's a triumph.'
Teeth of the Devine's E. Thomas called the album "one of the most moving and brilliant traditional doom records of this generation."
Here's the great new video from Little Rock doom metal troupe Pallbearer, a 10 minute long plot-less short film backed by their epic "Watcher in the Dark" directed by Little Rock native Adam Heathcott (now based in Portland). It's a kind of solemn, desert-oracle kaleidoscope, with shades of Jodorowsky and "Zabriskie Point" that finally descend into pure foggy visual abstraction /more/
Here are the Little Rock albums we listened to more than any others this year, the ones that meant the most to us and that we’d push on any out-of-towners who asked what was new in the Little Rock music scene. /more/
Olympia, Washington record lable 20 Buck Spin has announced the vinyl-only release of Pallbearer's "Demos," previously only available on limited edition CD-R and cassette, on December 9. The demos date back to 2010, before the Little Rock doom metal group's now-classic debut, "Sorrow and Extinction." /more/
Little Rock's Pallbearer, "doom's next big thing" according to Decibel magazine, who featured them on the cover of their latest issue looking real intimidating and wielding a gas lantern, has a new record on the way, the follow-up to their ecstatically well-reviewed 2012 release "Sorrow and Extinction." /more/
Here's the first single, "The Ghost I Used To Be," from Pallbearer's forthcoming album, "Foundations Of Burden," recorded in Portland with producer Billy Anderson (Swans, Eyehategod, Sleep, Neurosis, Red House Painters) and due out August 19 via Profound Lore. /more/
You've got to figure that a band from frozen-ass Winnipeg is just gonna be way gnarlier and tougher than a band from some sun-kissed tropical clime where people wear tank tops and flip-flops year-round.
Also, KEN Mode at Vinos', Red Octopus' 'Trysts and Turns' at the Public Theatre, Mothwind at Maxine's, Patty Griffin at George's Majestic, "Joe Turner's Come and Gone" at the Weekend Theater and Ash at Juanita's.
Wynton Marsalis visited Pine Bluff yesterday to pay a visit to the 93-year-old jazz legend Clark Terry, currently in the hospital (and accepting donations for his medical care). Terry, born in St. Louis and mentored by Louis Armstrong, played in bands with icons like Count Basie, Duke Ellington, Charles Mingus and Quincy Jones, and was a stated influence on trumpeters like Miles Davis and Dizzy Gillespie (who considered Terry the greatest jazz trumpeter in the world).
Last night, dozens of friends of TC Edwards, the Little Rock musician and man on the scene who was found murdered Dec. 7, marched in his memory, chanting "Justice for TC" and "TC is metal" as they walked from Pizza D' Action up Kavanaugh.
Actress Geena Davis announced today that she's launching a new film festival to be held in Bentonville (and called the Bentonville Film Festival) and sponsored by her own organization, the Geena Davis Institute on Gender in Media, as well as corporate partners Wal-Mart, Coca-Cola, AMC Theaters and ARC Entertainment. The festival, set to be held May 5-9, will begin accepting submissions on Jan. 15 and will focus on films highlighting women and minorities in cast and crew.