Prepare for a busy 2nd Friday Art Night tomorrow night, where folks will be celebrating Matt McLeod Fine Art's first anniversary, listening to the Arkansas Chamber Singers at the Old State House Museum, prefacing a performance by Richard Leo Johnson with an exhibition of his photographs at the Butler Center Galleries, hearing a talk and demonstration by Robert Bean about his creative process at Arkansas Capital Corp., and slinging back eggnog while seeing new works by Rex Deloney at the Historic Arkansas Museum. Read more about Johnson, the Chamber Singers and 2nd Friday Art Night here.
Mason Archie and Arkansas-born artist Larry Wade Hampton will be at Hearne Fine Art from 5:30-8 p.m. Friday and give talks 3-5 p.m. Saturday in connection with their exhibition, "Landscapes Unmasked," which also includes work by Dean Mitchell and 19th century African-American artists Robert S. Duncanson and Edward M. Bannister.
Ken McCown, department head and professor of landscape architecture at the Fay Jones School of Architecture and Design at the University of Arkansas, will give a talk tonight at the Arkansas Arts Center on the changing role of designers.
The 48th "Collectors Show and Sale" opens tomorrow (Nov. 11) at the Arkansas Arts Center with about 150 works from New York galleries, all selected by the arts center's Collectors Group in its September trip to the Big Apple.
The removal of a photograph of a woman worshiping before a semi-erect penis from the Fayetteville Underground gallery caused a mass exodus of the gallery's "resident artists" in October, including such well-known Ozark artists at Hank Kaminsky, Sabine Schmidt, William Mayes Flanagin, Mike Haley, Susie Siegele, Ed Pennebaker and the photographer whose work was censored, Alli Woods Frederick.
Watercolor artist William McNamara, whose home borders the Upper Buffalo Wilderness Area and has made a career of careful rendering of his Ozarks environs, opens a show of new work today at Studio 454, 454 Center St., in Fayetteville. Reception is from 5 p.m. to 10 p.m. tonight; the show runs through Nov. 27. Studio 454 is the office of architect Dan McKee.
Kat Wilson's exhibition "Habitats: Bentonville" feature her iconic biographical story-telling compositions of people amid their possessions. But Wilson's Bentonville series, which opens Friday, Nov. 4, at the The Foundation as part of its The Art Department series, departs from her traditional way of working: She's allowed the subjects to compose their own environments, to let them have more say in their story.
It was a long but fascinating day at the Arkansas Arts Center as the five architecture firms chosen as finalists for to renovate and add on to the Arts Center presented their philosophies of work and their ideas on how to meet the Arts Center's desire to connect to the park and city. This will be a skeletal rundown of what I heard today over five hours, with more detail to come later.
Crystal Bridges Museum of American Art is installing Sol Lewitt's 70-foot eye-crosser "Wall Drawing 880: Loopy Doopy," waves of complementary orange and green, on the outside of the Twentieth Century Gallery bridge. You can glimpse painters working on it from Eleven, the museum's restaurant, museum spokeswoman Beth Bobbitt said
Heads up for Thursday, Oct. 27: Matt McLeod Fine Art Gallery opens "Landscapes/Dreamscapes: At the Crossroads of Observation and Memory," an exhibition of drawings and paintings by Little Rock artists Jeanie Lockeby Hursley and Dominique Simmons.
If you read this week's Arts and Entertainment feature on Good Weather Gallery, you are probably wanting to know a little bit more about the show opening tomorrow, Oct. 22: Elliott Earls' "Death of a Salesman."
Glass artist Ed Pennebaker's 13-foot-tall sculpture of tall, multicolored glass panels was chosen for temporary installation in the Carrie Remmel Dickinson Fountain in front of the Arkansas Arts Center.
The exhibition "A Walk in Her Shoes" will take visitors on a stroll through 100 years of women's footwear, from laceups to platforms to stilletos, when it opens Tuesday, Oct. 11, at Esse Purse Museum, 1510 Main St.
Next week a series of meetings on the use of technology to tackle global problems will be held in Little Rock by Club de Madrid — a coalition of more than 100 former democratic former presidents and prime ministers from around the world — and the P80 Group, a coalition of large public pension and sovereign wealth funds founded by Prince Charles to combat climate change. The conference will discuss deploying existing technologies to increase access to food, water, energy, clean environment, and medical care.
Sen. Jason Rapert (R-Conway) was on "Capitol View" on KARK, Channel 4, this morning, and among other things that will likely inspire you to yell at your computer screen, he said he expects someone in the legislature to file a bill to do ... something about changing the name of the Bill and Hillary Clinton National Airport.
So fed up was young Edgar Welch of Salisbury, N.C., that Hillary Clinton was getting away with running a child-sex ring that he grabbed a couple of guns last Sunday, drove 360 miles to the Comet Ping Pong pizzeria in Washington, D.C., where Clinton was supposed to be holding the kids as sex slaves, and fired his AR-15 into the floor to clear the joint of pizza cravers and conduct his own investigation of the pedophilia syndicate of the former first lady, U.S. senator and secretary of state.
There is almost nothing real about "reality TV." All but the dullest viewers understand that the dramatic twists and turns on shows like "The Bachelor" or "Celebrity Apprentice" are scripted in advance. More or less like professional wrestling, Donald Trump's previous claim to fame.