Main
| October 2006 »
Saturday, September 30, 2006 - 12:49:47
Emanuel Levy of emanuaellevy.com has this to say about Kate Winslet,
This season, Winslet shines (again) in Todd Field’s ambitious and haunting anatomy of American suburbia, “Little Children.” With some luck, and savvy marketing campaign from New Line, Winslet’s brilliant interpretation of a tough, demanding role, that occupies the story's center, should bring her the fifth Oscar nomination and the third lead one.Sasha Stone of Oscarwatch.com says of
Little Children,
Little Children is unexpectedly funny, unsettling in a way that sets you off your rails for at least a day and more importantly, is one of the few films released so far that holds up a fairly truthful (inconvenient though the truth may be) mirror back at us: this is who we've become. This is what we've become.
Whether the Academy recognizes it or not, it is surely one of the best films of the year. It is certainly a better film that In the Bedroom was. How you respond to it will likely be a good indicator of where you are in your life - how much you can stand where you are and what you'd do to get out. Hat's off to the brave ensemble cast and the very brave Todd Field who isn't playing it safe the second time around.
Here's
Peter Travis' review of the film. Damn, the reviews for this film our outstanding. I don't see how it doesn't become a serious contender for Best Picture. Sounds like P. Martin's early suggestion (dare I say prediction) that Scorsese will win best director may come true.
Go see this film.
Oscar talk is in full swing. And why not? The Toronto International Film Festival is over and critics have had the opportunity to view almost every film in contention with the exception of
Dreamgirls and
Flags of Our Fathers. These two films seem to be frontrunners for the Oscar. Why? Bill Condon was the writer of
Chicago and he brings together a very accomplished cast (Jamie Foxx, Eddie Murphy, Beyonce Knowles and Jennifer Hudson). 20 minutes of this film was shown at one of the early festivals and critics were very impressed.
Flags of Our Fathers has all the makings of Oscar gold. Clint Eastwood, Paul Haggis and the story behind the men who raised the flag at Iwo Jima (it's an adaptation of the James Bradley book of the same name).
The other film that seems to have a lock on a Best Picture nomination is
Babel, the latest collaboration by Alejandro Gonzalez Inarritu and Guillermo Arriaga (
Amores Perros, 21 Grams).
21 Grams was one of the best films of 2003 and I have every reason to believe
Babel will be just as good, if not better. After that, it's wide open.
I'm sentimental about
The Departed because I think Scorsese is an exceptional filmmaker. Internet buzz and early reviews are out of this world.
Little Children, the latest from Todd Field (
In the Bedroom) and starring Oscar darling Kate Winslet,
should make it in. I did not read the book, but following the buzz on the web, it looks fantastic. Whether Little Children actually does all seems to depend on how much momentum other films have heading into the holidays.
There is intense buzz for Stephen Frears'
The Queen and Helen Mirren is a lock for Best Actress.
The Queen feels to me a lot like
Vera Drake did a few years ago, but Helen Mirren seems to have the gravitas to withstand the intense Oscar publicity race.
Steven Soderberg's
The Good German with George Clooney, Kevin Macdonald's T
he Last King of Scotland with Forest Whitaker, Robert DeNiro's
The Good Shepard with Matt Damon and Angelina Jolie,
Volver, Pedro Almodovar's film that's currently leading the pack of best foreign films are all in the mix.
Bobby,
The History Boys and one of the 9-11 films, either
World Trade Center or
United 93 all have an outside shot it seems.
Little Miss Sunshine should win a slew of critics awards as well as a Golden Globe nomination if the HFPA sees it as a comedy. That will keep it alive for Best Picture.
Everyone seems to be formulating their early Oscar picks and I've posted most of them here. You can track them on some other sites, Oscarwatch.com, Incontention.com, and some of the major publications, USA Today's Oscar Oracle for example.
If you want to track the awards race, here's another good
site.
I throw out my predictions later on in the year when I've actually had a chance to see some of these films. Until then, I'll pass along what others are saying.
So says The London Times. They profile the BSR IT girl and her four films out this year: the already released
World Trade Center and
Trust the Man, as well as
Sherrybaby (out everywhere but LR, it seems) and
Stranger than Fiction.
Here's the
story.
More praise for
The Departed from Variety. This should give the film enormous buzz leading up to it's wide release this Friday. If the major papers review it the same, look for DiCaprio, Damon, Nicholson and Scorsese to catapult into the Oscar picture.
Mixing it up with modern mobsters for the first time since "Casino" 11 years ago, Martin Scorsese cooks up a juicy and bloody steak of a movie in "The Departed." Different from the director's earlier crime dramas in its shared focus on cops rather than on just the goodfellas, this reworking of a popular Hong Kong picture pulses with energy, tangy dialogue and crackling performances from a fine cast,Here's the full
review.
Hollywood Reporter heaps heavy praise for Scorsese's latest film
The Departed.
Says Kirk Honeycutt,
After a couple of films where one of the best directors ever seemed more intent on pleasing Academy voters than millions of admirers, Scorsese returns to contemporary crime fiction with a hugely satisfying bang. "The Departed" is a robust piece of storytelling and his best film since "Casino" in 1995. Everything is rock solid: Top actors with meaty roles that let them go to the edge without toppling over that edge, a story that keeps upping the tension and emotional ante every few minutes, Michael Ballhaus' gliding camera and shadowy lighting, Kristi Zea's atmospheric sets and Thelma Schoonmaker's tight, rhythmic editing all conspire to take us into a heart of urban darkness.
Here's the full
review.
This movie looks outstanding. I have every intention of seeing it on opening day, unless someone hooks me up with a screener before then.
Friday, September 29, 2006 - 07:20:23
from none other than conspiracy man and World Trade Center director Oliver Stone,
''This war on Iraq is a disaster. I'm disgraced. I'm ashamed for my country,'' he said. ''I'm also ashamed that America has attacked itself with its constitutional breakdowns. I'm deeply ashamed," Stone said.
Stone also argued that Bush has set America back 10 years as a result of its post-9/11 policies.
Here's the report.
For what its worth, the National Intelligence Estimate "completed in April and reflecting a consensus of 16 American intelligence agencies, concluded among other things that the Iraq war had become a “cause célèbre” for Islamic extremists," according to the New York Times.