« September 2006 | Main | November 2006 »
Tuesday, October 31, 2006 - 07:31:42

Babel has great expectations for itself: It wants to be a movie about big ideas and big emotions at the same time. Aided by gorgeous locations and classy trappings (cinematography by Rodrigo Prieto, theme music by Gustavo Santaolalla), it succeeds for the most part, and in the process makes Crash, another recent film with converging stories and a multicultural cast, look like an undergraduate term paper on race relations.
Here's the full review from Slate.
Both films pick up after the formative Guevara years captured in the Walter Salles-directed "The Motorcycle Diaries" in 2004.
First film, "The Argentine," begins as Che and a band of Cuban exiles (led by Fidel Castro) reach the Cuban shore from Mexico in 1956. Within two years, they mobilized popular support and an army and toppled the U.S.-friendly regime of dictator Fulgencio Batista.
The second film, "Guerrilla," begins with Che's trip to New York, where he spoke at the United Nations in 1964 and was celebrated in society circles.
Benicio Del Toro will play Guevara, and Javier Bardem, Franka Potente and Benjamin Bratt are in talks to play key roles. Producer is Laura Bickford, who began working on the project with Del Toro and Soderbergh right after they made "Traffic" together.
His latest and one of his best movies, “Volver,” is a great starting point for anyone unfamiliar with Almodovar’s immense body of work. If foreign-language titles scare you away, be not afraid. Almodovar’s films are similar to reading a great book, both tragic and funny at the same time, yet with colorful and vibrant pictures to accompany the text.
And what beautiful pictures they are. “Volver” stars Penelope Cruz, one of Almodovar’s stable of Spanish actresses he uses on a rotating basis (more on that later). The film captures both Cruz’s sculptured beauty and her movie-star qualities. There may not be a more gorgeous woman on the planet than Cruz, and her performance here is certainly Oscar worthy.
Sacha Baren Cohen as a legitmate awards season contender? I thought the piece would have been about his performance in Borat, but it's not. It's for his performance in Talladega Nights: The Ballad of Ricky Bobby. Here's a "For Your Consideration" piece from Stuart Levine writing for MSNBC.com
There may be no greater dialogue this year than Girrard taunting the crowd with the bankruptcy of American culture, which, he says, has only given the world “George Bush, Cheerios and the Thigh Master.” When asked what the French have given the world, he trumps the bar with, “Democracy, Existentialism and the ménage a trois. ” Coming five years after “freedom fries,” it’s a breath of fresh air.
Stanley Kubrick never threw anything away. On the other hand, he didn’t have much of a filing system, and when he moved — permanently, it turned out — from Hollywood to London in 1962, a great many things went astray. Among them was the sole copy of a film treatment called “Lunatic at Large,” which Mr. Kubrick had commissioned in the late ’50s from the noir pulp novelist Jim Thompson, with whom he had worked on “The Killing,” a 1956 bank-heist story that became his first successful feature, and then on 1957’s “Paths of Glory.”
Saw the trailer last night before Catch a Fire. Wow. It's an impressive cast and looks great. Here it is.
Studios sent screeners of Half Nelson out to Academy voters this week. Ryan Gosling is an outside shot for a nomination. His performance is outstanding.
Little Miss Sunshine has been in the Academy's hands for a few weeks now and will arrive on DVD for the general public in December.
World Trade Center and United 93 are also out there. Tom O'Neil of the L.A. Times says United 93 is everywhere in Hollywood.
This is a smart strategy. With Flags of Our Fathers struggling at the box office, studios need to capture on the opening. Keep and eye out for United 93 and Little Miss Sunshine. One of these films may surprise and take that 5th nomination spot, which I think is now up for grabs.