Psych of the South: Robin and the Hoods' 'Slow Down' (1966) | Rock Candy

Friday, May 1, 2015

Psych of the South: Robin and the Hoods' 'Slow Down' (1966)

Posted By on Fri, May 1, 2015 at 10:00 AM

Harold Ott is the founder and primary researcher of Psych of the South, a record label dedicated to unearthing rare Arkansas pop history.

Usually my work involves a quest for long-forgotten information about Arkansas’ garage bands of yore. In this case, Jim Finch, the drummer of Robin and the Hoods, contacted me. He wanted to share a demo that his group recorded circa 1966, including this take on the Young Rascals' version of the Larry Williams tune "Slow Down."

Finch grew up in North Little Rock and went to college at the University of Arkansas in Fayetteville in 1960. In the summer of 1962, he went to Houston and filled in on drums with the Triumphs, BJ Thomas’ group. There he met Jimmy Gilmer and the Fireballs, who had a hit with “Sugar Shack," and Jimmy Clanton of "Just a Dream" fame.

When he returned to Fayetteville he formed his own group, the Morticians, with Rick Dykman on guitar, Bill Kennamer on bass and Larry Collard on keyboards. They were one of school's top frat bands and regularly played at the student union. During the Razorback’s undefeated national championship football season in '64, the group played outdoors to celebrate while class was let out. They filled the area around Old Main with thousands of kids and were featured in Scene Magazine.

click to enlarge The Morticians
  • The Morticians

Around this time, Finch’s roommate burned down their house while cleaning his MG carburetor, so he moved into the Iris Motel for $18 a week. He noticed his next door neighbors were weird characters, so he introduced himself. They were Garth Hudson, Rick Danko and Richard Manuel of Ronnie Hawkins and the Hawks, who later became the Band. The Hawks would regularly stay in Fayetteville and would make the Iris Motel their home base while touring the area, including Oklahoma and Texas, in the earliest days of the Band. When Finch met them, they didn't have a car and were stuck there. Finch had a tri-power 1957 Pontiac and so they became fast friends and regularly went to the Rockwood Club, a legendary rock ‘n’ roll joint in Fayetteville that was owned by Hawkins.

After the club closed for the night, Finch would drive them there and open a keg. He sat in on drums with Danko, Manuel, and Hudson and jammed until the wee hours. Finch's late nights at the Rockwood with the Hawks happened a handful of times and he became a gopher for group as they emerged into the Band, regularly running errands and hanging out when they were in town. A short time later, of course, they became Bob Dylan's backing band on his first electric tour.

click to enlarge Ronnie Hawkins and the Hawks in El Dorado, Ark.
  • Ronnie Hawkins and the Hawks in El Dorado, Ark.

In 1966 Finch moved back to North Little Rock to form Robin and the Hoods with Phil Schlenker  and Kenneth “Brown” Williams on guitar, Larry Shelton on bass, Mike Scallion on vocals and Kelly Duke on keyboards. They needed a gimmick to stand out, so they decided to wear wrestling masks, or hoods, styled after the Great Bolo, which one of their mothers custom made for the group. The first gig with the hoods was suffocating and miserably hot. Scallion couldn't sing in his and the other guys tried to endure, but only played one more gig before dropping the costume.

They were setting up at the Tiki Club on the old Conway highway in North Little Rock when a friend of the group came by with a reel to reel recorder and wanted to make a demo for them. Finch liked what he heard and took it to Jaggars Recording Studio, where Steve Jaggars had an acetate cutter that could make some one-off demo records from the tape.

A memorable gig for the Hoods came with a trip back to Fayetteville for Finch, where Dayton Stratton operated the Rink nightclub. He remembered Finch from his groupie days with the Hawks and booked them sight unseen. As they were unloading their gear, Stratton insisted that they use the house PA, a state of the art $20,000 sound system. A little while into the set, the band blew the sound system and had to bring in their own gear to finish the show. That was their only Fayetteville performance.

click to enlarge Robin and the Hoods
  • Robin and the Hoods

Jim Porter ran a booking agency in Little Rock and represented Robin and the Hoods. He set them up in a warehouse on 7th and Scott St., which housed an artist’s loft and a practice space. Sometimes a small crowd would gather outside and dance in the streets. They would shut the windows and sweat it out, but the cops would dependably show up to tell them to turn it down.

The group was regularly booked at the Royal Knights Supper Club on 65th and the Raven Club off of 12th St. among others, and wound up playing seven nights a week. When the band parted ways in the late 1960s, Schlenker and Williams joined the Chaps, a group from Pine Bluff that had recorded for Shreveport’s Paula Records in the mid '60s and which later included local legend Mike "Burger" Scoggins on vocals.

After Robin and the Hoods, Finch formed the Holidaze, a popular club act featuring Paul Truett and Johnny Quattlebaum of the local garage band the Reknown, who recorded for MY records in Little Rock. The Holidaze had two female singers and were regulars at the Pink Pussycat club on Highway 10.

Finch followed the career of his old friends from the Hawks as they rose to fame with Bob Dylan and the Band. In the early 70s, Finch got backstage to visit them in Houston and was later invited to the Last Waltz, the Band’s grand exit immortalized by the Martin Scorcese film. When the Band reformed in the '80s without Robbie Robertson, they had a gig planned for Little Rock, but had to cancel when Richard Manuel committed suicide in 1986. They rescheduled and played at the SOB club, where Finch was invited to the show and mourned the loss of his old buddy.

click to enlarge Jim Finch in his short-lived hood.
  • Jim Finch in his short-lived hood.

Tags: , ,

From the ArkTimes store

Favorite

Comments

Showing 1-1 of 1

Add a comment

 
Subscribe to this thread:
Showing 1-1 of 1

Add a comment

More by Harold Ott

  • Psych of the South: The Paragons' 'Black and Blue' (1966)

    The Paragons were a group from Searcy, Ark., that in 1965 traveled to Sun Studio in Memphis to record a British Invasion-flavored rendition of “Black and Blue,” a song dating back to the 1920s. It had been famously adapted by Louis Armstrong to reflect the era's racial discrimination, and had also previously been recorded by Frankie Laine, who had a Top 40 hit with it in 1947. I spoke recently with Paragons guitarist Bill Benz, along with Doris James, who recalled Zay-Dee Records, her ex-husband George Whitaker's label, which had released the Paragons record in early 1966.
    • Mar 15, 2016
  • Psych of the South: The Retreat Singers' 'I Can See' (1967)

     The Retreat Singers were based at Trinity Episcopal Cathedral in Little Rock, Arkansas and recorded a hauntingly beautiful album in 1967 depicting the life of Jesus in folk songs.
    • Jan 8, 2016
  • Psych of the South: Magnificent Seven's 'Baby Doll' (1962)

    The Playboys were a rockabilly-influenced garage band from Pine Bluff who recorded as Magnificent Seven for Vee-Eight Records in 1962. Jackie Hendrix was playing piano in a group with Happy Caldwell, who later became a famous pastor and founder of the VTN TV network. When most of the group moved away after graduation, Hendrix was left to put together a new band.
    • Oct 21, 2015
  • More »

Readers also liked…

Most Shared

  • ASU to reap $3.69 million from estate of Jim and Wanda Lee Vaughn

    Arkansas State University announced today plans for spending an expected $3.69 million gift in the final distribution of the estate of Jim and Wanda Lee Vaughn, who died in 2013 and 2015 respectively.
  • Bad health care bill, again

    Wait! Postpone tax reform and everything else for a while longer because the Senate is going to try to repeal and replace the Affordable Care Act one more time before September ends and while it can do it with the votes of only 50 senators.
  • Sex on campus

    Look, the Great Campus Rape Crisis was mainly hype all along. What Vice President Joe Biden described as an epidemic of sexual violence sweeping American college campuses in 2011 was vastly overstated.

Most Recent Comments

Blogroll

 

© 2017 Arkansas Times | 201 East Markham, Suite 200, Little Rock, AR 72201
Powered by Foundation